Create a Bauhaus-Style Graphic Design with Functional Minimalism

Generate a clean, striking graphic composition in the Bauhaus design tradition featuring [SUBJECT OR CONCEPT] (e.g., an abstract poster for a design exhibition, a typographic layout for the word '[WORD]', a geometric product advertisement, a school of design promotional piece). Bauhaus design principles to follow: 1. **Geometric Primitives**: Construct the entire composition using only fundamental geometric shapes — circles, triangles, rectangles, and straight lines. No organic curves, ornamental flourishes, or decorative embellishments. Each shape must serve a compositional purpose. Feature [PRIMARY SHAPE EMPHASIS] (e.g., a dominant red circle, an intersecting grid of black rectangles, overlapping primary-colored triangles). 2. **Primary Color Palette**: Restrict the palette strictly to [COLOR SELECTION] chosen from: red, blue, yellow, black, white, and gray. Use color functionally — to establish hierarchy, create contrast, and direct the viewer's attention. Large fields of white or off-white space should balance the color blocks. 3. **Typography**: Include the text "[HEADLINE TEXT]" set in a [TYPEFACE STYLE] (e.g., geometric sans-serif similar to Futura or DIN, all-lowercase Bauhaus Universal typeface style). Typography should integrate as a structural element of the composition, not merely sit on top of it. Add secondary text "[SUBTEXT]" in a smaller weight. 4. **Grid & Asymmetry**: Organize elements on a visible or implied [GRID TYPE] (e.g., modular grid, diagonal grid, golden ratio structure). Embrace dynamic asymmetrical balance — the composition should feel deliberately off-center yet perfectly weighted. 5. **Depth & Overlap**: Create a sense of layered depth through overlapping shapes with varying opacity. Use [DEPTH TECHNIQUE] (e.g., semi-transparent color overlays where shapes intersect, subtle drop shadows at 45 degrees, size variation implying spatial recession). 6. **Artistic Reference**: Channel the specific sensibility of [BAUHAUS ARTIST] (e.g., László Moholy-Nagy's photomontage energy, Herbert Bayer's typographic posters, Wassily Kandinsky's color theory compositions, Oskar Schlemmer's figurative geometry, Josef Albers' color interaction studies). The final image should embody the Bauhaus maxim: form follows function. Every element must justify its presence. Render as a flat graphic print — no photorealism, no textures, no gradients unless specifically serving the composition.