Create a Traditional Chinese Ink Wash Painting (Shuǐ Mò Huà)

Create a traditional Chinese ink wash painting (水墨画, shuǐ mò huà) depicting [SUBJECT — e.g., misty mountain landscape with a winding river, bamboo grove in gentle wind, solitary pine tree on a cliff, koi fish in a lotus pond, galloping horses, a scholar's retreat among mountains]. Ink technique and brushwork: - Execute the painting using the principles of [TECHNIQUE FOCUS — e.g., xieyi (freehand/expressive) or gongbi (meticulous/fine detail)] style - Employ varied ink densities: concentrated black (nóng mò) for foreground anchoring elements, medium gray for middle-ground forms, and extremely diluted pale washes (dàn mò) for distant mountains and atmospheric mist - Visible, expressive brushstrokes should convey the energy (qi/氣) of each element — bold splashing strokes for rocks, fluid continuous strokes for bamboo, dry-brush texture (fēi bái/飛白) for tree bark and rugged surfaces Composition principles: - Follow the traditional "three distances" (三遠) compositional framework: [CHOOSE — high distance (gaoyuan) looking up at towering peaks, deep distance (shenyuan) peering from front to back through layers, or level distance (pingyuan) gazing across open expanses] - Embrace generous negative space (留白, liú bái) — allow at least [30-50%] of the composition to remain as untouched blank paper, representing mist, water, sky, or spiritual emptiness - Position the primary subject according to [PLACEMENT — e.g., offset to the right third, emerging from the lower left corner] Additional elements: Include [OPTIONAL ELEMENTS — e.g., a tiny human figure for scale, a fishing boat on distant water, flying cranes, a rustic pavilion]. Add a column of [CALLIGRAPHY TEXT — e.g., a classical poem, the painting title, or decorative placeholder characters] along the [LEFT/RIGHT] edge in semi-cursive (xingshu) script, accompanied by one or two red cinnabar seal stamps (印章). Medium: The painting should appear as if rendered on traditional xuan rice paper with its characteristic soft absorbency and natural warm-white tone. No digital effects — pure traditional aesthetic.